Friday 29 January 2016

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BRAHMA TAMPLE,PUSHKAR
BRAHMA TAMPLE

Jagatpita Brahma Mandir is a Hindu temple situated at Pushkar in the Indian state of Rajasthan, close to the sacred Pushkar Lake to which its legend has an indelible link. The temple is one of very few existing temples dedicated to the Hindu creator-god Brahma in India and remains the most prominent among them.
Although the present temple structure dates to the 14th century, the temple is believed to be 2000 years old. The temple is mainly built of marble and stone stabs. It has a distinct red pinnacle and a hamsa bird motif. The temple sanctum sanctorum holds the central images of Brahma and his second consort Gayatri.
The temple is governed by the Sanyasi (ascetic) sect priesthood. On Kartik Poornima, a festival dedicated to Brahma is held when large number of pilgrims visit the temple, after bathing in the sacred lake.
According to the Hindu scripture Padma Purana, Brahma saw the demon Vajranabha  trying to kill his children and harassing people. He immediately slew the demon with his weapon, the lotus-flower. In this process, the lotus petals fell on the ground at three places, creating three lakes: the Pushkar Lake or Jyeshta Pushkar, the Madya Pushkar Lake, and Kanishta Pushkar lake. When Brahma came down to the earth, he named the place where the flower fell from Brahma's hand  as "Pushkar".
BRAHMA TAMPLE
Brahma then decided to perform a yajna  at the main Pushkar Lake. To perform his yajna peacefully without being attacked by the demons, he created the hills around the Pushkar — Ratnagiri in the south, Nilgiri in the north, Sanchoora in the west and Suryagiri in the east — and positioned gods there to protect the yajna performance. However, while performing the yajna, his wife Savitri (or Sarasvati in some versions) could not be present at the designated time to perform the essential part of the yajna as she was waiting for her companion goddesses LakshmiParvati and Indrani.
 So Brahma married Gurjar girl, Gayatri and completed the yajna with his new consort sitting beside him, holding the pot of amrita  on her head and giving ahuti 
When Savitri finally arrived at the venue she found Gayatri sitting next to Brahma which was her rightful place. Agitated, she cursed Brahma that he would be never worshipped, but then reduced the curse permitting his worship in Pushkar. Savitri also cursed Indra to be easily defeated in battles, Vishnu to suffer the separation from his wife as a human, the fire-god Agni who was offered the yajna to be all-devouring and the priests officiating the yajna to be poor. Endowed by the powers of yajna, Gayatri diluted Savitri's curse, blessing Pushkar to be the king of pilgrimages, Indra would always retain his heaven, Vishnu would be born as the humanRama and finally unite with his consort and the priests would become scholars and be venerated. Thus, the Pushkar temple is regarded the only temple dedicated to Brahma. Savitri, thereafter, moved into the Ratnagiri hill and became a part of it by emerging as a spring known as the Savitri Jharna; a temple in her honour exists here.Pushkar is said to have over 500 temples; of these many are old that were destroyed or desecrated by Muslim depredations during Mughalemperor Aurangzeb's rule  but were re-built subsequently; of these the most important is the Brahma temple. Though the current structure dates to the 14th century, the original temple is believed to be 2000 years old. The temple is described to have been built by sage Vishwamitra after Brahma's yagna. It is also believed that Brahma himself chose the location for his temple. The 8th century Hindu philosopher Adi Shankara renovated this temple, while the current medieval structure dates to Maharaja Jawat Raj of Ratlam, who made additions and repairs, though the original temple design is retained.
Pushkar is often described in the scriptures as the only Brahma temple in the world, owing to the curse of Savitri, and as the "King of the sacred places of the Hindus".Although now the Pushkar temple does not remain the only Brahma temple, it is still one of very few existing temples dedicated to Brahma in India and the most prominent one dedicated to Brahma. International Business Times has identified Pushkar Lake and the Brahma temple as one of the ten most religious places in the world and one of the five sacred pilgrimage places for the Hindus, in India.The temple, which is set on high plinth, is approached through a number of marble steps leading to an entrance gate archway, decorated with pillared canopies. The entry from the gate leads to a pillared outdoor hall
BRAHAMA TAMPLE
and then the sanctum sanctorum . The temple is built with stone slabs and blocks, joined together with molten lead. The red shikara  of the temple and symbol of ahamsa  - the mount of Brahma – are distinct features of the temple. The shikara is about 700 feet  in height. The hamsa motif decorates the main entry gate. Marble floor  and walls inside the temple have been inlaid with hundreds of silver coins by devotees , as mark of offering to Brahma. There is a silver turtle in the mandap that is displayed on the floor of the temple facing the Garbhagriha, which is also built in marble. The marble flooring has been replaced from time-to-time.
Brahma's central icon made of marble was deified in the garbhagriha 718 AD by Adi Shankara. The icon depicts Brahma, seated in a crossed leg position in the aspect of creation of the universe . The central image is called the chaumurti . It is of life size with four hands, four faces, each oriented in a cardinal direction. The four arms hold the akshamala , the pustaka , the kurka (kusha grass) and the kamandalu . Brahma is riding on his mount, the hamsa. The four symbols held by Brahma in his arms: the rosary, Kamandalu, book and the sacrificial implement kusha grass represent time, the causal waters from which the universe emerged, knowledge and the system of sacrifices to be adopted for sustenance of various life-forms in the universe. Gayatri's image sits along with Brahma's in centre to his left. Savatri alias Sarasvati sits to the right of Brahma, along with other deities of the Hindu pantheon. Images of the peacock, Sarasvati's mount, also decorate the temple walls. Images of the preserver-god Vishnu, life-sized dvarapalas and a gilded Garuda  are also seen in the temple.
BRAHAMA TAMPLE

Friday 8 January 2016

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Ajmer Sarif Dargah , Rajasthan
Ajmer Sarif Dargah

Moinuddin Chishti additionally called Gharīb Nawāz wasassociate degree leadermonotheism scholar and thinker from South Asia. Chishti introduced and established the Chishti Order of religious mysticism within the Indian landmass. The initial non secular chain or silsila of the Chishti order in Asian nation, comprising Chishti, Qutbuddin Bakhtiar Kaki, Fariduddin Ganjshakar and Nizamuddin Auliya—each ordered person being the follower of the previous—includes the nice Sufi saints of Indian history. varied Mughal emperors were followers of Chishti.No reliable info is offered concerning his life before he settled in Ajmer.Moinuddin Chishti is claimed to possess been born in 536 AH/1141 atomic number 58 in Chisht in an exceedingly town between Asian country and Persia and is assumed to be a "sayyid", an immediatedescendant of Muhammad. His folks died once he was fifteen years previous. He transmissible a windmill associate degreed an woodlet from his father. throughout his childhood, Chishti was totally different from alternative kids and unbroken himself busy in prayer and meditation. He later disposed of his property and alternative belongings and distributed the cash to the poor. He renouncedthe planet and left for Bukhara in search of information and better education.Moinuddin became the murid of Usman Harooni.Chishti turned towards Asian nation,apparently once a dream during which Muhammad blessed him to try to to thereforeonce a quickkeep in Lahore, he reached Ajmer along side Mu'izz al-Din Muhammad, and settled down. In Ajmer, he attracted a considerable following, gaining the respect of the residents of town. Chishti promoted understanding between Muslims and non-Muslims.[12]The Chishti Order was based by Abu Ishaq Shami in Chisht some ninety five miles east of city in current western Asian country. Moinuddin Chishti established the order in Asian nationwithin the town of Ajmer in Rajasthan.
Ajmer Sarif Dargah

The central principles that became characteristics of the Chishti order in Asian nation ar supported his teachings and practices. They lay stress on renunciation of fabric goods; strict regime of self-disciplineand private prayer; participation in samā' as a legitimate suggests that to non secular transformation; reliance on either cultivation or uninvited offerings as suggests that of basic subsistence; independence from rulers and therefore the state, as well as rejection of financial and land grants; generosity to others, notably, through sharing of food and wealth, and tolerance and respect for spiritualvariations.He, in alternative words, understood faith in terms of human service and exhorted his disciples "to develop river-like generosity, sun-like warmheartedness and earth-like welcome." the very best style of devotion, in keeping with him, was "to redress the misery of these in distress – to meet the requirements of the helpless and to feed the hungry." it absolutely was throughout the reign of Akbar  that Ajmer emerged in concert of the foremost necessary centers of journeying in Asian nation. The Mughal Emperor undertook a journey on foot to Ajmer. The Akbarnāma records that the emperor's interest in Ajmer 1st sparked once he detected some minstrels singing songs regarding the virtues of the wali UN agency lay asleep in Ajmer.Moinuddin Chishti authored many books as well as Anīs al-Arwāḥ and Dalīl al-'Ārifīn, each of that trot out the monotheism code of living.Qutbuddin Bakhtiar Kaki  and Hamiduddin Nagori were Moinuddin Chishti's celebrated caliphs or "successors", UN agency continued to transmit the teachings of their master through their disciples, resulting in the widespread proliferation of the Chishtī Order in Asian nation.Among Quṭbuddīn Baktiar Kaki's distinguished disciples was Fariduddin Ganjshakar whose dargah is at
Ajmer Sarif Dargah
Pakpattan, 
fashionable Pakistan. Fariduddin's most illustrious follower was Nizamuddin Auliya popularly spoken as Mahbūb-e Ilāhī "God's beloved", whose dargah is found in Southcity. Equally illustrious was his alternative follower Ali Ahmed Alauddin Sabir whose dargah is in Kalyar Sharif. The Sabiri silsila is unfold so much and wide in Asian nation and Pakistan and to the present day devotees and their descendants add the title of Sabri to their names.From Delhi, disciples branched out, establishing dargahs in many regions of South Asia, from Sindhwithin the west to geographic area within the east and therefore the Deccan tableland within thesouth. however from all the network of Chishti dargahs, the Ajmer dargah took on the special distinction of being the "mother" dargah of all.The dargah of Chishti, called Ajmer Sharif Dargah or Ajmer Sharif, is a global waqf, associate degree monotheism mortmain managed by the "Dargah Khwaja Saheb Act, 1955" of the govt of Asian nation. The Dargah Committee, appointed by the govt, manages donations, takes care of the upkeep of the outer space of shrine, and runs charitable establishments like dispensaries and guest homes for the devotees, however doesn't watch out of the most shrine  that is underneath the custody of Khadims.
Ajmer Sarif Dargah

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Saturday 2 January 2016

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Govind Dev Ji Temple
Govind Dev Ji Temple

The Hindu temple Govind Dev Malaysian Mujahidin Group is settled in Jaipur in Rajasthan state ofAsian nationit's settled within the town Palace complicated. The temple is devoted to Govind DevMalaysian Mujahidin Group . The image of the divinity  was brought from Vrindavan here by Raja Sawai Jai Singh II, the founding father of Jaipur. in line with widespreadlegend, Lord Krishna's image within the temple appearance precisely like Krishna's kind throughouthis incarnation on Earth.
The divinity originally belonged to Srila Rupa Goswami WHO was an acquaintance of Lord Caitanya Mahaprabhu.
According to the legend, the Image of Lord Govind Devji was conjointly referred to as "Bajrakrit"- indicating thereby that it absolutely was created by Bajranabh – the good Grand Son of Lord avatar. Some 5,000 years back once Shri Bajranabh was around thirteen years recent, he asked his Grand Mother  on however Lord Shri Krishna looked like; Then He created a picture as per the outline given by her. She butaforementioned that not nearly the feet of that imageappeared like those of Lord Shri avatar.
Govind Dev ji 
For Vaishnavites, notably followers of Lord avatarthis is often one in every of the foremost vitaltemples outside Vrindavan.
'Aartis' and 'Bhog' area unit offered seven times on a daily basisonce the divinity is undraped for 'Darshan'. Thousands of devotees visit the temple daily and a fair larger variety visit throughoutJanmashtami.

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Deeg Palace , Bharatpur
Deeg Palace

Deeg Palace is a palace 32 km from Bharatpur in RajasthanIndia built in 1772 as a luxurious summer resort for the rulers ofBharatpur State. The palace was in active use till the early 1970s.Deeg was the capital of the Jat kings before they shifted to Bharatpur. Badan Singh, who came to the throne in 1721, built a palace here but due to its strategic location and proximity to Agra, Deeg had to face repeated attacks by invaders. It was then that his son, prince Suraj Mal, began the construction of a fortress around the palace around 1730. The fort had massive walls and a deep moat to keep away the
raiders."Deeg was a site of a legendary battle between the Jats and a combined Mughal and Maratha army of 80,000 men. Emboldened by his victory, Suraj Mal began making forays into enemy territory.

Deeg Palace
After eight years of success in his forays, Suraj Mal captured Delhiand plundered the Red Fort carrying away masses of valuables including an entire marble building, which was dismantled and numbered. The palace was then reconstructed at Deeg.The Jat rulers were influenced by the magnificence of the Mughal courts of Agra and Delhi. The design of the gardens has been inspired by the Mughal Charbagh. The palace forms a quadrangle with a garden and walkways at its centre. Decorative flowerbeds, shrubs, trees and numerous fountains cool the place considerably during summer. Two huge water tanks, Gopal Sagar and Rup Sagar, on either side also helped to bring down the
temperature.Elaborately filigreed gates, stone slabs, ornate beams, and marble jaalis from Mughal constructions have been used in various parts of the palace. A fine marble swing, rumoured to have belonged to Nur Jahan, was also brought here as a war trophy from the Mughal court. The swing stands at a vantage position overlooking the gardens.Keshav Bhawan, the monsoon pavilion is a single-storeyed baradari placed on an octagonal base, and it stands right next to the Rup Sagar

Deeg Palace
tank. The edifice has five arches along each side which seem to divide it in to several parts. An arcade runs around the interior of the pavilion over a canal with hundreds of fountains. The walls of the canal are pierced with hundreds of minute water jets. Bullocks were employed with large leather "buckets" to draw water to the tank through a complex pulley system.In festivals such as Holi, colours are added to the water. Small cloth pouches with different organic colours were manually inserted into the holes in the reservoir wall. When the water flowed out through them passing along an intricate network of
pipelines, the fountains begin spouting coloured water.The spray of water from the fountains and the jets create a monsoon-like ambience which is enhanced further by a unique technique that produces thunder-like sound all around the pavilion. Hundreds of metal balls placed strategically on the channel surrounding the roof are set rolling with the water pressure which results in a thunderous effect. The ambience in a desert town must have been quite significant for the Jat kings and their queens.King's bedroom contains an enormous black granite bed of the Maharaja. It had once served as a part of Parsi death rites, functioning as a platform for washing dead bodies.Open 9 am to 5 pm except on Fridays. The nearest airports are at Agra (70 km) and Delhi (200 km). The nearest railhead is Bharatpur junction (35 km). Deeg is five hours by road from Delhi, two hours from Agra and one hour from Mathura.

Deeg Palace



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